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In the first line of this Salok reminds us of the trinity of our primary relationships of Father, Mother and “Guru” (our connection to the Divine). This trinity directly invokes three of the elements, or Tattvas, namely Air, Water and Earth. In other scriptures Guru Nānak describes how in the beginning of creation Air was the first element that was created and that out of the Air came the second element, Water. Here he says that Air is our Guru – in that air is the carrier of “Prāna” or life force, which is the gift of the Breath of Life; the breath that sustains life; and the breath with which we are able to intone the sacred words of the Guru or Shabad Guru, opening a gateway to experience the Divine through the power of the Sound Current or Naad. Mother and Father personify the divine and cosmic qualities of the universe, but they also represent the very basic elements of Earth and Water. The feminine creative aspect of the Mother is embodied in the element of Earth. In all life, birth of a child establishes the relationship for Motherhood. But Fatherhood is more fluid, as in the animal world where paternity does not normally lead to the role of Fathering. Even in our human experience, a genetic relationship does not necessarily guarantee Fathering. As we learn about the world by watching our Father engage in it, we can also learn from watching the flowing of Water to understand how to navigate life, to adapt to this world, however it presents itself to us. Refers to Earth not as just the Mother, but actually, the Great Earth ( dharat mahat) meaning all of Creation ( prakirt ī), from which our very bodies are made out of the atoms present in this Earth. “ D ivas rāt du-i dā-ī dā-i-ā ” says that there are two “nurses” or guardian angels who represent the forces of Creation, providing everything we need in both the active daytime and in the non-active nighttime. “ Khaylai sagal jagat” says that this life is a game – a game to resolve our Karma and embrace our higher self by walking on the path of Dharma. Some say that there are three games described in this Salok. The first is the game of the whole world or universe. In this game we are a small part of the huge backdrop of events. The second is the game of being human. In this game we are given the opportunity to understand the gifts and challenges that we receive as human beings in this life. And the third game is the game of the divinely aligned being, or Gurmukh. Japji Sahib is the first and a very profound com position. In fact, it is said that whole Guru Granth Sahib is an explanation of the Japji Sahib. Sukhm ani Sahib is also an im portant and self-contained course of instructions by Guru Arjan Dev. It is available in a separate book published by All India Pingalwara Charitable Society. In this game we must embrace the highest ideals and live to them; find our way through the ultimate test of our character; and go beyond a mere “human” experience to embody the highest consciousness of being “ Jivan Mukht” or liberated while alive. The question implied is; will we just be played by the forces in our life; or will we become active players, intimately engaged and spontaneous with each play? The whole of Jap Jī is a series of instructions as to how to find our victory in this game of life. We cannot hide from our misdeeds. They are imprinted upon our soul. As we walk on this path of Dharma we have entered into a contract with our divine destiny. Rehras Sahib Pdf SikhnetOnce we accept the promise of the divine alignment of our soul, then the Divine (God) demands us to hold to our end of the contract. This holding us to account is personified here as “ Dharam hadur” (Lord of Dharma), often referred to as “ Dharam Raj” (King of Dharma) and it implies an infallibility of discernment as to whether our actions are actually true to our highest intentions and commitments. Each of us is innately part of the Oneness of the Divine. The Divine is always with us but through conscious and unconscious actions we turn our attention away. Here we are being reminded of the Law of Karma; that our actions have direct effect on the elevation or decline of our soul’s progress in this life. But this also reveals how the inverse of this is a practical way for us to measure the correctness of our choices; for as we notice our life to be more or less filled with the presence of Guru’s Grace, that shows us if our choices are steering our soul toward or away from our elevation in the Divine. Part of our role in the Game of Life is to bring others along with us as we rise in our merger with the Divine. If you are standing in the darkness with other people around you, and then you are given a lantern, that light not only illuminates the way toward your enlightenment, but the others around you are also able to see. In fact, this sharing of light happens even when we are not making direct effort. This is the miracle of Sadh Sangat, being in the company of the “pure ones.” As we come together to share our spiritual practice, all are lifted up. As you play the game of life with excellence, you take on a shining radiance that illuminates the path for everyone in your life. Guru Nānak begins Jap Jī by directing our attention to the most expanded concept of oneness, the Ek Ong Kār. Then through the following 38 Pauris he reveals all the ways that we can gain an experience of that oneness in the fullness of our soul, our “Jī”, and transform through the “Jap”, or the meditative repetition of the power of the Naad. And finally, in this Salok, he seals the whole experience of Jap Jī by blessing us with a clear call to action: to recognize our role in this human life, to seize the opportunity we have been given, and to choose consciousness and excellence, which will deliver our soul to Oneness. SS Pritpal Singh Khalsa is the Director of Dharmic Education for Sikh Dharma International. Pritpal has been a Sikh and a student of the Siri Singh Sahib/Yogi Bhajan since 1972. He has studied Gurbani Kirtan and leads kirtan in communities around the world, having released several recordings of kirtan and mantras. Pritpal Singh is also a KRI-certified Lead Teacher Trainer of Kundalini Yoga and is involved in several Level 1 and Level 2 trainings around the world each year. He is also a Yogic Life Coach and presents workshops on topics such as Meditating on Purpose, Conscious Relationships, Sacred Sound, Emotional Competency and Accessing the Divine Masculine. • • • Jap ji is a prayer at the beginning of the, considered the holy scripture of Sikhs. It was composed by, the first Guru in the line of ten Sikh Gurus. Jap ji begins with and is followed by 38 pauris (stanzas) and ends with a final at the end of this composition. Jap ji is believed to be the first composition of Guru Nanak, and is now considered the comprehensive essence of Sikh faith. It is regarded amongst the most important or 'set of verses' by the Sikhs, as it is the first Bani in. Notable is Nanak's discourse on 'what is true worship' and what is the nature of God'. In Jap ji it is stated that God is indescribable; the only true form of worship is worship of Nam (inner Word, Sound, Power), realization of God, and to remain always in the Holy Will of that loving God, accomplished with the grace of the True Guru. Related to Jap ji is the Jaapu Sahib (::ਜਾਪੁ), the latter is found at the start of and was composed. Japji is chanted in the Sikh tradition at the initiation ceremony and during the ceremony. Contents • • • • • Meaning of Jap(u) [ ] Following are some accepted meanings of Jap: • A conventional meaning for Jap(u) is to recite, to repeat, or to chant. • Jap also means to understand. Gurbani cites Aisa Giaan Japo Man Mere, Hovo Chakar Sache Kere, where the word Jap means to understand wisdom. Content [ ] The Japji Sahib opens with hymn that 'one cannot clean the mind just by cleaning the body, by silence alone one cannot find peace, by food alone one cannot satisfy one's hunger, to be purified one must abide in love of the divine'. Hymn 2 asserts that by God's command the ups and downs in life happen, it is He who causes suffering and happiness, it is He whose command brings release from rebirth, and it is His command by which one lives in perpetual cycles of rebirth from. With good in past life and His grace is the gate of mukti (liberation) is found; in Him is everything, states Hymn 4. The Hymn 5 states that He has endless virtues, so one must sing His name, listen, and keep the love for Him in one's heart. The Guru's shabda (word) is the protecting sound and wisdom of the, the Guru is, (Gorakh) and, and the Guru is mother. All living beings abide in Him. Hymns 6 to 15 describe the value of listening to the word and having faith, for it is the faith that liberates. God is formless and indescribable, state Hymns 16 to 19. It is remembering His name that cleanses, liberates states Hymn 20. Hymns 21 through 27 revere the nature and name of God, stating that man's life is like a river that does not know the vastness of ocean it journeys to join, that all literature from Vedas to Puranas speak of Him, Brahma speaks, Siddhas speak, Yogi speaks, Shiva speaks, the silent sages speak, the Buddha speaks, the Krishna speaks, the humble Sewadars speak, yet one cannot describe Him completely with all the words in the world. Hymn 30 states that He watches all, but none can see Him. God is the primal one, the pure light, without beginning, without end, the never changing constant, states Hymn 31. Resident Evil 6 is an action adventure, third person shooter video game that was developed and published by Capcom in 2012 for the platforms: PlayStation 3, Xbox 360, and Microsoft Windows. Resident Evil 6 is the ninth major installment to the Resident Evil video game series. 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Remastered versions of the last three series entries are on their way to current-gen systems, while a remake of the second game is also in development. Resident Evil 6 is the first of these titles to land, and the PS4 and Xbox One releases bring upgrades to both resolution and frame-rate over the last-gen versions. With the recent GameCube remakes capped at 30fps, we were concerned that Capcom would go down the same route for the other titles in the series. Thankfully, that isn't the case for Resident Evil 6, which hands in a superb 1080p60 experience. But aside from resolution and frame-rate boosts, just how far does the remastering process extend across the game? The PC version provides us with a solid base for comparison, alongside the Xbox 360 and PS3 originals. The PC game provides the ability to scale up both resolution and frame-rate but beyond that, graphical upgrades are thin in the ground. A boost to image quality is delivered by FXAA3HQ anti-aliasing, allowing for a crisper and clearer presentation. However, asset quality and effects work remains the same. And it's this version that PS4 and Xbox One remasters appear to be based on. Resolution is native 1080p on both consoles, though a different post-process solution handles anti-aliasing duties, with what looks like an MSAA-like pass applied underneath. However, in terms of overall image quality, the end result looks virtually identical to the PC game in motion, with just a touch less coverage across parts of the scene. The core assets and effects work remain unchanged, though there are some variances in the way lighting is deployed. In an early scene, light from the street lamps is clearly cast onto the walls inside an abandoned building on PS4 and Xbox One, but this is missing on the other platforms. A little later on, a view of the road shows cars illuminated by lights inside on the PC game, an effect that is absent in all console versions old and now. Yes, we're in extreme nit-pick territory here. Despite the lack of tangible art upgrades, the improvement in graphical quality is quite sensational when compared directly to the 720p last-gen console releases. On the Xbox 360 and PS3, the lower resolution and post-process edge filter tends to blur over texture detail and often gives the game a soft and slightly murky look in dark scenes - something we don't see in the PS4 and Xbox One remasters. Here, native 1080p resolution allows for more detail to be extracted from the highest quality textures across the game, while the use of a much more refined anti-aliasing solution avoids heavy blurring over the artwork. As such we see a much cleaner and clearer presentation that is still respectful to the original artistic look of the original, but without some of the technical limitations that sometimes distracted during gameplay. Of course there are downsides to Capcom simply porting across the original art and effects work, without making any improvements in these areas. For the most part, texture quality was designed around a 720p presentation and often the art can present as appear rather blurry and almost pixelated when stretched across higher resolution geometry. This is particularly noticeable across environmental assets. However, characters fare much better, and the core artwork in this area holds up pretty well in comparison. Visually, one area that does see a dramatic change is the default field of view, which is opened up considerably compared to the original game. This leads to more of the characters and surrounding environment shown on screen as you gun down the undead and infected, and also provides the game with a look more in keeping with the Resident Evil Revelations titles. Here we get the feeling that Capcom is trying to standardise the presentation across the series - and in gameplay terms, the extra screen space suits the action-focused nature of the game. However, we also feel that the more constrained field of view of the original release created a better sense of tension and horror by limiting just how much you can see. Thankfully, Capcom understood that purists may not like the change, and it's possible to adjust the field of view so that it matches the original release. [ UPDATE 5/3/16 11:36am: with the latest patch installed, it's also possible to adjust the field of view on PS3, 360, and PC to match the PS4 and Xbox One remasters.]. 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